“I stayed for four months in the East German village Sprotta. A world that seems full of harmony and domestic activity was questioned on a subtle way by me, the photographer. I was stimulated by the theme of a world that seems very much in a proper state, where everyone has his or her place and duty. The shown pictures appeal to the fantasy of the observer and leave enough space for the imagination. So there is the analytic moment in the foreground. I get in contact with the world, organize it and formulate the result in a picture. As an author I hold myself back and report about people. This is the result of an own fiction, a construction about life which I tried to display with its human abyss. With a small distracting moment the pictures become a surreal tilt that initiates thinking about it. I move between the line of documentation and construction in this way of photographic presentation. The protagonists act unreal and like a freeze image in a movie. Sprotta pauses for a moment and becomes in the verification of its own existence a symbol of a country that manifests itself in its non representation of anxieties, dreams and wishes.”