I am finding that each book is particularly worthwhile reading. Of course, reading about other’s works – whether crafted by the artist or an other observer always carries certain risks of an inescapable interpretation. Thankfully, I’m finding these two readings above, a useful way to engage looking at photography albeit from a particular circumstance or point of view – a context let’s say. However, I’m finding new appreciation for the work of Jeff Wall who I’ve naively (in the best sense) admired before reading about his work through Fried’s interpretations…. I admittedly lacking an express “understanding” or “reading” as presented … but now with (perhaps) new (or maybe just better articulation) and further insight into the work. Either way, I’m happy to note that I continue to admire both (Wall and Richter)…
Mr. Wall calculated his double intentions and the interests of his photograph in a very eloquent and revealing way:
“…cleaning is mysterious, since it is a labor that erases itself if it is successful.” – Jeff Wall.
The pavilion – the “site” of Walls photograph above – is itself a reproduction of the original pavilion designed by Ludwig Mies van der Rohe as the German National Pavilion for the 1929 Barcelona International Exhibition.
It is interesting to consider Wall’s photographic work in the context of one of the most influential objects of “modern” architecture – the Mies pavilion “original” only existed relatively briefly – about a year actually, but what became of that brief existence is an overwhelming influence upon a “modern” architecture. Work began in 1983 and the new building was opened on its original site in 1986 completely re-assembled and reconstituted. A “complete” replication of the original. Explore more about the pavilion here.
Reflection of Alba (Dawn) by Georg Kolbe
35 mm slide from a 1990 – a visit to the pavilion
…examining the threshold at which ordinary visibility ends and perception begins ….