From a post read on artdaily.org – today….
“Street artist Shepard Fairey was arrested last night in Boston on two warrants after he allegedly tagged property in Boston with graffitti based on his Andre the Giant street art campaign, reported the Boston Herald. ”
…”Fairey’s Obama image has been sold on hundreds of thousands of stickers and posters, and was unveiled at the National Portrait Gallery in Washington in the days before Obama’s inauguration.
The image is the subject of a copyright dispute with The Associated Press. Fairey argues his use of the AP photo is protected by “fair use,” which allows exceptions to copyright laws based on, among other factors, how much of the original is used, what the new work is used for and how the original is affected by the new work.” – Boston Herald – Feb 7 2009 by the Associated Press… © Copyright 2009 Associated Press.
Herald story here
This ought to be an interesting offshoot …… Bad-boy press which might be considered under the terms – any press is good press right?
The “source photograph” – the original photograph upon which the poster is based is attributed to Mannie Garcia…
Another source regarding the original photographer, and other offerings of the detritus of a campaign – James Danzier – and specifically a post on “the Year in Pictures”….
After some time, it seems the momentum of the dispute – as characterized by those with second hand (or even more remote) knowledge – tends to muddy the waters… I wonder who in the end will benefit the most?
75,000 people do not attend political rallies unless something truly magical is happening. – Posted by Robert Blanchard North Smithfield, RI
I don’t usually find much interesting about “press photography” and I’m a healthy skeptic these days about how and what sort of images come to be associated with “reportage”. All too often, I find myself distrusting any ability of photography in general to portray anything close to reality. It’s more a game of association. I suppose its always been that way – so that’s nothing new really. Having said that, seeing these two very different photos of the Democratic nominees Senator Barrack Obama, and Senator Hillary Clinton that ran in the NYT recently regarding the current “momentum” of the Democratic candidates is but one concrete example of why:
Todd Heisler/The New York Times
Senator Hillary Rodham Clinton greeted supporters at the Bowling Green airport on Sunday after a rally on the campus of Western Kentucky University.
Chris Carlson/Associated Press
Barack Obama spoke to 75,000 people on Sunday in Portland, Ore. He called it “the most spectacular setting for the most spectacular crowd” of the campaign.
It’s clear that the NYT article is reporting on a perceived momentum in the popularity contest side of things in this campaign – but the choice of images to associate with the story seems, well – in my opinion – ludicrous.
Consider vantage point, background and the detail. If you were a candidate – which image would you feel good about? Two or three interested faces and hands straining to reach through a chain-link fence (what an interesting foreground – very metaphorical) with another half-dozen (I assume there might have been more there?) rally attendees seemingly staring off into space or something just about as interesting in the background – that photograph appears to pretty much say all there there is to say about popular vote one might presume. But of course to be fair, it is too much to expect one article and two pictures to be a good , fair and researched indication of what might actually be going on “out there”.
So what do you think: Is this persuasive photojournalism coupled with a creative photo editorial statement or just plain silliness ?