Seeing that vs. seeing as

what do you see?

both/and -a rabbit? a duck…?

a series of lines / shading forming a differential between figure and ground?

I cherrish time the kids and I spend staring up at the clouds lying in the warm grass where we are free to do what comes natural. When we choose to make the time to do this,  it’s amazing how natural it seems to us “seeing as”.  The projection our perceptions upon an observable world, as you can imagine –  rarely do we exclaim: “look at the density of that vapor!”  It just doesn’t happen that way.

fig. above the ambiguous image – and Ludwig Wittgenstein


A pictures worth in a popularity contest – Obama VS Clinton…

75,000 people do not attend political rallies unless something truly magical is happening. –  Posted by Robert Blanchard North Smithfield, RI

I don’t usually find much interesting about “press photography” and I’m a healthy skeptic these days about how and what sort of images come to be associated with “reportage”. All too often, I find myself distrusting any ability of photography in general to portray anything close to reality. It’s more a game of association. I suppose its always been that way – so that’s nothing new really.  Having said that,  seeing these two very different photos of the Democratic nominees Senator Barrack Obama, and Senator Hillary Clinton that ran in the NYT recently regarding the current “momentum” of the Democratic candidates is but one concrete example of why:

Clinton - Kentucky - photographer - Todd Heisler/The New York Times

Todd Heisler/The New York Times
Senator Hillary Rodham Clinton greeted supporters at the Bowling Green airport on Sunday after a rally on the campus of Western Kentucky University.
Chris Carlson/Associated Press
Chris Carlson/Associated Press

Barack Obama spoke to 75,000 people on Sunday in Portland, Ore. He called it “the most spectacular setting for the most spectacular crowd” of the campaign.

It’s clear that the NYT article is reporting on a perceived momentum in the popularity contest side of things in this campaign – but the choice of images to associate with the story seems,  well – in my opinion – ludicrous.  

Consider vantage point, background and the detail.  If you were a candidate – which image would you feel good about?  Two or three interested faces and hands straining to reach through a chain-link fence (what an interesting foreground – very metaphorical)  with another half-dozen (I assume there might have been more there?)  rally attendees seemingly staring off into space or something just about as interesting in the background – that photograph appears to pretty much say all there there is to say about popular vote one might presume.   But of course to be fair, it is too much to expect one article and two pictures to be a good , fair and researched indication of what might actually be going on “out there”.

So what do you think:  Is this persuasive photojournalism coupled with a creative photo editorial statement or just plain silliness ? 

Photographic conventions – Transference of Compassion?

I came across (Notes on) Politics, Theory & Photography, through Conscientious today… a great link to Jim Johnson’s post regarding “Vividness”… See his preliminary e-paper here, and this post Photographic Conventions & Their Vicissitudes: The Irony of “Vividness” .
For me, the notion of the negative potential of “othering” that I’ve been thinking about – and “visual oblivion” that has been rattling around in my brain is articulated quite interesting in Jim Johnson’s post.

Still gnawing at me …

Photographic conventions – Transference of Compassion
Training viewer’s to see / Indoctrination / Perceptual Sensitivity…
“visual oblivion”
and now “Vividness”…

Learning from the visual cultural landscape… Somewhere in this a parallel to the problems of empty (draining off) symbolism in the architectural debate contained with in the book “Learning from Las Vegas” … but yet still wanting to embrace “Complexity and Contradiction in Architecture”… by Robert Venturi.